50/49
In the timeless town of Macondo, seven generations of the Buendía family navigate between love, oblivion, and the inevitability of their past and destiny. This is Netflix’s most expensive Latin American project to date, with Colombian groups and indigenous communities building the set and props. Cited in Radio Dolin: Results of 2024. Best Movies of the Year (2024). I just finished the first episode. This could have been really terrible, but it’s not. It’s always challenging to translate inner thoughts, fears, doubts, and inner reactions to things like visions! The dubbing is pretty good in English, but I switched to Spanish with English subtitles and felt more comfortable. I’m glad they spend their time at the table because it’s important to set the scene and even then it feels a bit rushed, but by episode sixteen I’m living with it. I’ve read the book three times in my life and it’s good. No expense has been spared in terms of locations and settings, and it helps to create the atmosphere. I’m looking forward to the questionable ethnic issues! No censorship please!
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